The Mary Smith Prize Pa Academy of Fine Art
Russell, Mary Priscilla, and Mary Smith
The Mary Smith Prize (defunct) was a prestigious art prize awarded to women artists by the Pennsylvania Academy of the Fine Arts. It recognized the best work by a Philadelphia woman creative person at PAFA'southward annual exhibition — ane that showed "the most originality of subject, beauty of design and drawing, and finesse of colour and skill of execution".[1] [2] The prize was founded in 1879 by Russell Smith in memory of his deceased daughter, artist Mary Russell Smith.[3] [4] It was awarded from 1879 to 1968.[five]
Prize [edit]
In the nineteenth century, women artists were rarely awarded major prizes. They were by and large limited to prizes designated for them. Just rare exceptions included: Anna Elizabeth Klumpke, who won the 1889 Temple Gilt Medal at PAFA; Mary Hazelton, who won the 1896 Hallgarten Prize at the National University of Design;[iv] and Cecilia Beaux, who won the 1899 Carnegie Prize at the Carnegie Museum of Fine art and the 1900 Temple Gold Medal at PAFA.
Initially, the Mary Smith Prize carried a greenbacks prize of $100, which was increased to $300 in 1960.[2] Cecilia Beaux had won this prize four times before she was awarded the Temple Gold Medal.
Other 19th-century prizes for women artists were the Contrivance Prize at the National University of Design and the Shaw Prize at the Lodge of American Artists.
Mary Russell Smith (1842–1878), Springs Bounty.
Mary Russell Smith [edit]
Mary Russell Smith was the daughter of landscape and theatrical scenery painter William Thompson Russell Smith (Russell Smith) (1812–96) and apprentice creative person Mary Priscilla Wilson Smith (1819–74). Both of her parents exhibited at the Pennsylvania University of the Fine Arts.[6] Mary and her blood brother, Xanthus Russell Smith, both developed an interest in painting. Xanthus attended the Pennsylvania Academy of the Fine Arts and Mary exhibited her paintings of rabbits, chicks, and other animals in that location 1859 to 1869, and over again between 1876 and 1878.
Russell Smith established the Mary Smith Prize following her expiry.[6] Mary Russell Smith had designated that upon her death the proceeds of the sale of her paintings should be used to fund the prize, to be awarded to women artists.[4]
Recipients [edit]
| Year | Artist | Image | Work | Collection | Notes |
|---|---|---|---|---|---|
| 1879 | Susan Macdowell Eakins[7] | | Portrait of a Admirer and Dog | Taubman Museum of Fine art, Roanoke, Virginia | Portrait of the artist'south father. |
| 1880 | Catherine A. Janvier[3] | | Old-Fashioned Music (The Guitar Player) | Private collection | |
| 1881 | Emily Sartain[viii] | Marie | |||
| 1882 | Mary K. Trotter[3] | May | |||
| 1883 | Emily Sartain | Metelill | |||
| 1884 | Lucy D. Holme[3] | Petrona [ix] | |||
| 1885 | Cecilia Beaux[3] | | Les Derniers Jours d'Enfance (The Last Days of Infancy) [x] | Pennsylvania Academy of the Fine Arts | Portrait of the creative person's sister, Etta Beaux Drinker, and nephew Henry. Exhibited: 1887 Paris Salon |
| 1886 | No exhibition | ||||
| 1887 | Cecilia Beaux | A Little Girl (Fanny Travis Cochran) [11] | Pennsylvania Academy of the Fine Arts | ||
| 1888 | Elizabeth F. Bonsall[iii] | Paying the Model | |||
| 1889 | Elizabeth Wentworth Roberts[one] [a] | Dice Flucht (The Flying) | |||
| 1890 | Alice Hairdresser Stephens[three] | Portrait of a Boy | |||
| 1891 | Cecilia Beaux | Portrait (pastel) | |||
| 1892 | Cecilia Beaux | Portrait | |||
| 1893 | No exhibition | ||||
| 1894 | Maria 50. Kirk[iii] | Portrait | |||
| 1895 | Gabrielle D. Clements[3] | Granite Cutting at Cape Ann | |||
| 1896 | Elizabeth H. Watson[3] | Portrait of Reverend Dr. Watson | |||
| 1897 | Elizabeth F. Bonsall | Hot Milk [thirteen] | Pennsylvania Academy of the Fine Arts | ||
| 1898 | Caroline Peart[three] | Once upon a Time [xiv] | Phillips Museum of Art, Franklin & Marshall College | ||
| 1899 | Carol H. Beck[3] | Study | Following the artist's death in 1908, the Ballad H. Brook Golden Medal was founded in her memory. | ||
| 1900 | Mary F. R. Clay[3] | Portrait of Irene 1000. | Honorable mention: Janet Wheeler | ||
| 1901 | Janet Wheeler[3] | Portrait of Mrs. Louise Starr | |||
| 1902 | Elinor Earle[3] | Burn Low-cal | |||
| 1903 | Jessie Willcox Smith[3] | | A Mother's Days [15] (set up of eight watercolor illustrations) | Published in Scribner's Monthly Magazine, December 1902. | |
| 1904 | Lillian Thousand. Genth[3] | Peasant Houses | |||
| 1905 | Elizabeth Shippen Green[three] | prepare of 12 watercolor illustrations for "The Thousand Quilt" (curt story) | Annie Hamilton Donnell, "The Thousand Quilt," Harper's Monthly Magazine, December 1904.[16] | ||
| 1906 | Alice Mumford Roberts[three] | Ii Vaudeville Stars | |||
| 1907 | Mary Smyth Perkins[iii] | Cows | |||
| 1908 | Elizabeth Sparhawk-Jones[3] | Roller Skates | |||
| 1909 | Martha Walter[17] | Portrait | |||
| 1910 | Alice Mumford Roberts | The Morn Air | |||
| 1911 | Alice Kent Stoddard[3] | | Portrait of Elizabeth Sparhawk-Jones | Pennsylvania University of the Fine Arts | |
| 1912 | Elizabeth Sparhawk-Jones | In the Bound | |||
| 1913 | Alice Kent Stoddard | Little Girl Cutting Dolls | |||
| 1914 | Nina B. Ward[3] | Elizabeth [18] | Pennsylvania Academy of the Fine Arts | ||
| 1915 | Gertrude A. Lambert[12] | Carpet Rags | |||
| 1916 | Nancy Thousand. Ferguson[12] | In Provincetown | |||
| 1917 | Elizabeth F. Washington[12] | Winter [19] | |||
| 1918 | Helen K. McCarthy[12] | Farms in Hill Country | |||
| 1919 | Juliet White Gross[12] | On the Hill | |||
| 1920 | Mildred B. Miller | In the Window [20] | |||
| 1921 | Katherine Patton | Deep in the Woods | |||
| 1922 | Mary Townsend Mason | All the same Life with Fruit | |||
| 1923 | Isabel Branson Cartwright | Portrait: H.B.S. | |||
| 1924 | Lillian B. Meeser | The Green Bottle | |||
| 1925 | Mary Butler | Flood Tide | |||
| 1926 | Wenonah Bong | Still Life | |||
| 1927 | Pearl Aiman Van Sciver | New Promise | |||
| 1928 | Laura D. S. Ladd | Nonetheless Life and Dahlias | |||
| 1929 | Edith McMurtrie | Harpooning Equus caballus Mackerel | |||
| 1930 | Grace Gemberling | Rocks and Flowers | |||
| 1931 | Mildred B. Miller | Yuanshi Kuo | |||
| 1932 | Virginia Armitage McCall | Waldron University, Overbrook | |||
| 1933 | Catherine Morris Wright | Later Dejeuner | |||
| 1934 | Elizabeth F. Washington | The Bend in the Creek | |||
| 1935 | Margaretta Southward. Hinchman | Portrait of a Nun | |||
| 1936 | Alice T. Roberts | T'Ang Horses | |||
| 1937 | Henriette Wyeth | Peter Hurd | El Paso Museum of Art | ||
| 1938 | Irene Denney | The "5 and 10" | |||
| 1939 | Mary Townsend Mason | Flowers | |||
| 1940 | Frances Cowan | Wetzel's Kitchen | |||
| 1941 | Sarah Blakeslee | Forth the River | |||
| 1942 | Faye Swengel | Bucks Canton Farmer | |||
| 1943 | Margaretta S. Hinchman | I Know the Lord Laid His Hand on Me | |||
| 1944 | Doris Kunzie Weidner | Holliday'southward Manufacturing plant | |||
| 1945 | Catherine Grant | Captain Charlie and the Hawk's Nest | |||
| 1946 | Doris Kunzie Weidner | Deserted Farm | |||
| 1947 | Agnes Allen | Portrait of J. Somers Smith | The State in Schuylkill, Philadelphia | ||
| 1948 | Violet Oakley | Christ and the Woman of Samaria [21] | First Presbyterian Church in Germantown, Philadelphia, Pennsylvania | ||
| 1949 | Catherine Grant | The Villa Marie | |||
| 1950 | Marie-Celeste Fadden | French Child on Train | |||
| 1951 | Rita Wolpe Barnett | To the Earth | |||
| 1952 | Alice T. Roberts | Ipswich Sand Dunes, No. 2 | |||
| 1953 | Elsie Manville | Yellow Hat | |||
| 1954 | Dora Bortin | Russian Tea Service | |||
| 1955 | No exhibition | ||||
| 1956 | No prize awarded | ||||
| 1957 | No exhibition | ||||
| 1958 | Jane Sperry Eisenstat | Dead Opossum | |||
| 1959 | No exhibition | ||||
| 1960 | Cecilia Finberg | Mural | |||
| 1961 | No exhibition | ||||
| 1962 | Elizabeth C. Osborne | Girl Sleeping | |||
| 1963 | No exhibition | ||||
| 1964 | Virginia Armitage McCall | Dahlia: Still Life | |||
| 1965 | No exhibition | ||||
| 1966 | Mitzi Melnicoff | Children's Hr | |||
| 1967 | No exhibition | ||||
| 1968 | Edna Andrade | Space Frame D | Concluding Mary Smith Prize awarded |
See besides [edit]
- Brook Gold Medal
- Temple Gold Medal
- Widener Gold Medal
Notes [edit]
- ^ In 1902, Elizabeth Wentworth Roberts, the 1889 recipient of the Mary Smith Prize, founded the Jennie Sesnan Aureate Medal at the Pennsylvania Academy of the Fine Arts.[12]
References [edit]
- ^ a b "About: Elizabeth Wentworth Roberts". Concord Art Clan. Archived from the original on Apr 7, 2015. Retrieved March fourteen, 2015.
- ^ a b Peter H. Falk; Anna Wells Rutledge; Pennsylvania Academy of the Fine Arts (1 November 1989). The Annual Exhibition Record of the Pennsylvania University of the Fine Arts: 1914–1968. Audio View Printing. p. 29. ISBN978-0-932087-07-2.
- ^ a b c d east f k h i j yard l thou north o p q r s t u v due west Pennsylvania Academy of the Fine Arts (1914). Catalogue of the Annual Exhibition of Painting and Sculpture. pp. 10–11.
- ^ a b c Kirsten Swinth (2001). Painting Professionals: Women Artists & the Evolution of Mod American Art, 1870–1930. UNC Press Books. p. 233. ISBN978-0-8078-4971-2.
- ^ Michael David Zellman (1986). American Fine art Analog: 1688–1842. Chelsea House Publishers. p. 322. ISBN978-ane-55546-001-3.
- ^ a b Edward J. Sozanski, Inquirere Fine art Critic (April 3, 1998). "The Smiths: A Clan Of Artists Rediscovered". The Inquirer (Philly.com). Philadelphia: Interstate General Media, LLC. Retrieved March 14, 2015.
- ^ Gaze, Delia (1997). Lexicon of Women Artists. Fitzroy Dearborn Publishers. p. 485. ISBN1-884-964-21-4.
- ^ Robert McHenry (1980). Famous American Women: A Biographical Dictionary from Colonial Times to the Nowadays. Courier Dover Publications. p. 369. ISBN978-0-486-24523-2.
- ^ Petrona, from ArtNet.
- ^ Les Derniers Jours d'Enfance, from PAFA.
- ^ A Petty Girl, from PAFA.
- ^ a b c d due east f Pennsylvania Academy of the Fine Arts (1919). Catalogue of the Annual Exhibition. Philadelphia: Pennsylvania Academy of the Fine Arts. p. x.
- ^ Hot Milk, from PAFA.
- ^ In one case upon a Fourth dimension
- ^ "Jessie Willcox Smith - A Mother's Twenty-four hours". Retrieved thirty March 2017.
- ^ Donnell, Annie Hamilton (ane December 1904). "The grand quilt". Retrieved xxx March 2017 – via Harpers.
- ^ Paschall, W. Douglass (2002). Impressionist Jewels: The Paintings of Martha Walter. Philadelphia, Pa.: Woodmere Art Museum. Retrieved vii March 2015.
- ^ Elizabeth, from PAFA.
- ^ Wintertime (painting), from SIRIS.
- ^ In the Window, International Studio, vol. 72 (1920).
- ^ Panel V (correct), from First Presbyterian Church in Germantown.
Source: https://en.wikipedia.org/wiki/Mary_Smith_Prize
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